Monday, September 13, 2010
Monsters in da Family
(The exception would be kobolds, which I re-dubbed "imps" in the E&E book as an homage to the badly transrated Engrish of Final Fantasy I, where the bakemono, a.k.a. goblins, are called "imps" to save character space. Four syllables in Japanese meant room for only four English letters when the game was localized! Ah, well, if you look very closely at E&E, you'll see that most of it is actually an attempt to synthesize Final Fantasy and Tolkien. In fact, I'm pretty obvious about it in places.)
When you think about it, the Orc/Uruk divide makes sense enough, if one is trying to emulate a Tolkien-inspired feel for goblinoids. Tolkien himself described many tribes of Orcs, generally hostile to each other, with northern Orcs from around Gundabad and such being larger and tougher; Orcs from the Misty Mountains region being shorter and weaker; and Mordor Orcs being swarthier, smarter, and more quarrelsome than others. And while Gundabad and Mordor Orcs were the strongest of the lot, they still weren't any kind of match for Saruman's Fighting Uruk-Hai. So there's some justification for using lots of different sets of stats for Orcish "sub-races" and then using bugbear stats for Uruk-Hai.
But as I was watching these movies, it occurred to me that the Uruks weren't that much tougher than plain-old Orcs. In fact, the disparity (as they're portrayed in the films) is little different than a simple matter of height, as between Men and Dwarves. According to that logic, Uruks ought to be no tougher than D&D's hobgoblins. It also occurred to me, around this time, that I had completely neglected half-orcs (which, in Tolkien, are a far cry from D&D's musclebound barbarians—rather, they're very thief-like spies, thugs, and ruffians; and so, to me, it's no wonder that in AD&D 1e, the half-orc favored the assassin class above all others!).
So, if I were to re-scale the goblinoids for use with (for example) a six-level steampunk campaign, I would probably shift things down a bit. Something like this:
Hit Dice ... D&D Monster ... Equivalent For My Home Game
1/2 ..... Kobold .................... Imp
1-1 ..... Goblin ..................... Half-Orc
1 .......... Orc ......................... Orc
1+1 ..... Hobgoblin .............. Uruk-Hai
2 ......... Gnoll ....................... Beastman
2+1 ..... Lizardman ............. Lizardman
3 .......... Thoul ..................... Grendel
3+1 ...... Bugbear ................ Ogre/Bogeyman
4+1 ...... Ogre ...................... Troll
6+3 ..... Troll ....................... Olog-Hai
Imps: Small, mischievous goblinoids which tend to inhabit forests and mineshafts. They often do the bidding of evil magicians.
Half-Orcs: A mongrel race of blended orcish and human blood, created through foul sorcery. Half-orcs aren't particularly tough, but they have orcish wickedness in their hearts and a limited ability to blend in with humans. They tend to be thieves, thugs, and hired killers. Basically, D&D goblin stats, minus the daylight penalties.
Orcs: Your run-of-the-mill goblinoids, foot-soldiers in the armies of Evil (Inc.) and eternal servants to the Dark Overlord of the Month.
Uruk-Hai: Although I name them "Hulks" in my campaign setting as an offbeat reference to another fantasy author, they're basically what it says on the tin. Upright-walking orc-kind created by breeding half-orcs back with regular orcs, to create a race of mannish orc capable of using large weapons and withstanding sunlight. For the purposes of this ruleset, it's just a matter of using the hobgoblin stats as-written (by the original RAW, they already have no penalty for fighting in daylight).
Beastmen: I always thought that gnolls were kind of an out-of-place monster, but a generic race of beastmen is very pulp fantasy, in a He-Man sort of way. I would probably wind up using these like Robert Jordan's Trollocs. (Lizardmen, on the other hand, always seem to fit in nicely, even if they're basically Sleestaks.)
Grendel: I don't know why, but I've always identified the thoul with the nasty trollspawned monster from Beowulf. Make of that what you will.
Ogre: Now this is where things start to get interesting. "Bugbears," like gnolls, are another one of those monsters that just seems like a mythological misfit... unless you're trying to use it in the traditional sense of the Bogeyman of English folklore, in which case, sure, I can see them as oversized goblins. But hairy almost-ogres haunting dungeons? Might as well just call these guys "ogres" and use them in the Shrek sense. Ogres and Bogeymen are of the same ilk, too: big scary monsters that you scar your children with by telling them gruesome fairy tales about how the big nasty Ogre will eat them if they don't behave. So, yes, it seems convoluted, but I think I'm going to start using the bugbear stats for ogres.
Troll: Now trolls are a weird concept in mythology, because sometimes they're dwarfish and sometimes they're gigantic. Are they rubbery and regenerative and prone to flee from fire like Frankenstein's monster on 'shrooms? Or are they big and hulking and made of rock and prone to petrifying in sunlight? I'm going to go with the petrifying variety, not least because of Tolkien, Norse mythology, and the fact that I watched David the Gnome when I was little. So just take the ogre stats, add "petrifies in sunlight" as a weakness, and boom, you have Norse trolls. (Or "rock trolls," maybe.)
Olog-Hai: Sauron created these "great trolls of Mordor" which aren't petrified by sunlight, to do battle for him in the War of the Ring. Now these are fearsome beasts worthy of the proper D&D troll stats! 6+3 hit dice, and regeneration when the wound isn't from fire or acid? Heck yeah. All I really need is a catchy name for the great trolls that isn't obviously taken from another source. I'm thinking "Orgg" (yes, after the ubiquitous 6/6 red critter from M:TG). At least it sounds rather like "Olog".
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Undead
Skeleton (1 HD)
Zombie (2 HD)
Ghoul (2 HD)
Wight (3 HD)
Wraith (4 HD)
Mummy (5+1 HD)
Spectre (6 HD)
Vampire (7—9 HD)
What you see above is the list of standard low-to-mid level undead (everything in the Basic / Expert rules), stuff that can still be turned by a cleric below 15th level. In a six-level campaign, a vampire is definitely the toughest undead one might ever want to throw at a PC party, too. So I like how this scales. I would only make two minor changes to this classic family of critters.
1) Ghouls. Ghouls are a positive pain in the arse as written. Three attacks per round, plus a paralysis save to be rolled every time they hit? Using a couple of ghouls creates a storm of dice-rolling to muck up the combat. I would much rather distinguish them from zombies by giving them 2+1 HD (so that they attack as 3 HD monsters) and then balance this out by shortening their attack routine to claw 1d4/claw 1d4.
2) Vampires. I'm not quite sure how, mechanically, I want to model this, but I like the idea of using 7-HD vampires as the low-ranking or young vampires; 8-HD for varcolac (elder vampires with a wolfish affinity), and 9-HD for nosferatu (powerful vampire lords with a decidedly batty physiognomy). Perhaps the garden-variety vampire doesn't cast spells, the varcolac casts spells as an 8th level cleric/druid, and the nosferatu casts spells as a 9th level magic-user.
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Time for a Farscape quote.
Aeryn: Look, this is hardly the time for human nonsense, Crichton.
Crichton: Oh, god, that is it—you are so damn smart. There's no time for stupid human anything. And I'm sick of it, Aeryn. I'm sick of Napoleon XVI. I'm sick of Blue. I'm sick of Tentacle Boy. And guess what? I'm sick of you. I'm sick of this whole turd-burp end of the universe.
—Episode 1.14, "Jeremiah Crichton"
Wednesday, September 8, 2010
The Red Box: "Ooh, Shiny!"
According to the designers of 4th edition, it was meant to emphasize a style of play that "skips to the good parts," so that a game session isn't "four hours of play packed with twenty minutes of fun." The problem with that philosophy is the way the game designers defined what was fun. Apparently, according to the folks who wrote 4e, the sum total of fun to be had is in tactical combat, and everything else (like, say, crawling through dungeons to explore their every nook and cranny) can be left behind.
The game doesn't even have a "Craft" skill among the list of options for trained skills. Think about that for a second: the game actually disallows training your character in a skill that some game designer judged to have no immediate combat or dungeoneering application. Presumably, because someone who wants to play a craftsman would be giving something up in the combat-utility department, rendering that character sub-optimal and throwing off the game's carefully orchestrated balance.
What really wigs me out about 4th edition, though, is how freakishly inflated creatures' hit points are. The gelatinous cube in the new Red Box has 157 hit points! In classic D&D, conversely, it wouldn't be uncommon to see one with 15 hit points. But, as near as I can tell, weapon damage (at least for low level characters) isn't increased in anywhere near the same proportions. So basically, the whole design scheme of 4th edition is a great slight-of-hand trick, whereby hit points are increased tenfold but damage is left alone, so that combat can be stretched out to eat up time. If you did divide the hit points of 4th edition monsters by ten, and then you did the same thing to damage dealt, you'd find that 4e monsters had HP totals comparable to OD&D monsters, but the characters would be forced to slog through grindy combats dealing 1 or 2 points of damage a hit. (I don't know how this scales at high levels, but that's how it looks to work for 1st and 2nd level characters in the new Starter Set.)
It's kind of like that sample game in Mentzer's Red Box (you know, the real one!), where your fighter and the snake exchange blows that deal only one point of damage apiece, because the game is explaining the concept of "hit points" but hasn't quite gotten around to rolling damage yet. Can you imagine playing a game of OD&D, but instead of all hits dealing 1d6 damage, all hits deal 1 damage? That's basically the essence of 4th edition combat. It's a deliberate time-sink, the consequence being that a game of 4e doesn't leave room for much of anything else.
All I can say about that is, how terribly boring! I love a good tactical combat, but battles in general ought to be few and far between. That's the essence of a well-paced adventure. Most of the time, the characters ought to be exploring or interacting with the game world and its inhabitants. That's where the real action is! I shall always take as my motto the line from the AD&D 2nd edition rulebooks, which explicitly stated that AD&D is not supposed to be a combat simulator. A roleplaying game is not a wargame!
Of course, there was much about the underlying attitude of 2nd edition which was and still is to be admired. Not only did that game clearly downplay the relevance of combat, it was also very clear about other qualities that made good roleplaying games. The rules were relatively light, with many of the more complex systems marked optional, and it almost went without saying that they were really just a toolkit of suggestions for DMs to create their own campaigns with. The standard method of generating ability scores, unlike 1e and 3e, was straight 3d6. Player characters were "ordinary but brave" individuals who only became heroes through the course of playing the game and gaining experience. Low scores weren't to be discarded, they were a resource to mine for creating flawed, interesting, fun-to-roleplay characters! And "advanced" character options, particularly sub-classes like paladins and specialist wizards, were both marked as optional (because they weren't supposed to be appropriate to all campaigns) and, when allowed, difficult to qualify for if generating ability scores the usual way. All of this adds up to a very well designed game, the pinnacle of the AD&D line in my opinion.
Now, granted, it's still just a hair too complex for my tastes. I already have basic D&D, so why play anything else? But if I were ever in a situation where I absolutely had to play one of the four advanced editions, 2nd would be my choice, no contest.
So, back to the new Red Box. I bought it, partially to satisfy my curiosity once and for all, but mostly for its retro appeal. Honestly, it's a really nice box! Very sturdy, two inches deep, plenty of room to store all of the materials I might want to put into a portable gaming kit. And while the rulebooks, character sheets, and power cards found therein are all but useless to me and already discarded, the monster tokens are kind of nice and might see some usage at my table.
At the moment, I'm using my shiny new box to store my Basic Set (the 1981 edition), Expert Set (the 1983 edition), Engines & Empires, dice and tokens, a folded up Paizo Flip-Mat for tactical battles, and my referee's screen (a custom job I whipped up with four panels of appropriately steampunkish artwork, 44" x 6" laminated cardstock). I only need to toss a few pencils, blank character sheets, and pages of graph paper into the box, and I have the most portable gaming kit I can ever remember having put together. It's a far, far cry from my 3e days, when I had to schlep a full dozen hardcover books to every game session, along with a tackle-box full of miniatures and a big rolled-up battlemat. The follies of youth, etc., etc.
And, of course, the obligatory Farscape quote.
JOHN: Look at that.
AERYN: What?
JOHN: That's it. Earth. Minus the sunshine.
—Episode 1.13, "A Human Reaction"
Friday, September 3, 2010
Six-Level Steampunk, part 3
Wound Levels
This house rule is predicated on the idea that hit points represent stamina and combat skill only—damage to hit points is not the same thing as a physical wound. Under these rules, a character who falls to 0 HP is winded, but not wounded. The character is only on the brink of exhaustion—almost but not quite out of fight. There are no negative hit points, so a character with even 1 HP remaining, who then takes a blow for 10 damage, is merely reduced to 0 HP. Even one hit point is a sufficient buffer between “able to fight normally” and “on the brink of fatigue”.
Once a character is at 0 HP, the situation becomes dangerous. A character at zero hit points can still act normally—he can fight, move, run, use magic, whatever—except that he now moves at half speed (as if encumbered), and he must rest every third turn (instead of every sixth turn like normal) or else total exhaustion will set in. Furthermore, any damage that a character with 0 HP takes, whether from a trap or a weapon or a spell, will result in a Wound. How much damage gets taken is immaterial—it’s just as bad to be stabbed by a knife or a sword, or to be shot by an arrow or a bullet. Any hit, even for 1 point of damage, will cause a Wound.
The severity of a Wound is determined randomly:
Wound Levels are cumulative. A character with penalties up to -4 has a Light Wound; -5 to -7, a Serious Wound; -8 to -10, a Critical Wound; and at -11 or greater, death is immediate. Wound levels are removed by healing.
Magical or technological healing lifts one penalty point for every (four- or six- sided) die of hit points normally cured.
A character cannot begin to recover hit points until all wound penalties are removed. Hit points can be cured normally with magic or technology. Otherwise, since HP represent stamina, they are recovered completely with one night’s rest. During the adventure, if the characters can manage to grab a short rest (half an hour), they can recover 1d3 HP from rest alone or 1d6 HP if in the care of a healer.
This is more of a sketch than a complete set of house rules, but lately I’ve been pondering how to improve and simplify unit-based mass combat. In the E&E rulebook, mass combat treats units just like characters, except with HP that vary according to the unit’s size, up to 100 troops. Units with spell-casting or technological abilities essentially retain those abilities on a mass-combat scale. Player characters generally participate in unit combat only as the leader of a particular unit, to which the character then imparts a small level-based bonus to all combat statistics. I’m starting to think that it might be better to abstract these features further. Also, I’d like to re-think unit combat to fit the “six-level campaign” scale, where a character of 1st to 3rd level is a normal adventuring mercenary, while a character of 4th to 6th level is a big-time Hero™. Likewise, any monster with 4 HD or more is Large Size—the monstrous equivalent of a Hero.
Unit Combat for Six-Level Campaigns
As before, unit combat takes place on a larger scale than ordinary battles. One square or hex represents 100’, and units take actions by the (ten-minute) turn rather than by the round.
A unit is a group of similar soldiers, all acting in concert to fight as one. It has five statistics: Health, Attack, Defense, Movement, and Morale.
A unit’s Health is a function of its size. A unit has 1 point of Health for approximately every twenty soldiers in the unit, up to a maximum of 5 health. Damage reduces a unit’s Health (by killing or wounding soldiers, by causing ranks to break and soldiers to flee or desert), such that when a unit reaches 0 health, it disbands and can no longer function as a unit or affect the outcome of the mass battle. Health is an important statistic, since it modifies most of a unit’s other statistics.
A unit’s Attack value is equivalent to the Fighting Ability of one soldier in that unit, plus the unit’s current health. Normal humans (as a unit, they’d be called “conscripts”, or, less kindly, “cannon fodder”) have a base FA 1. Most 1 HD soldiers, from men to elves to orcs, have FA 2. So a unit of 100 conscripts would have Attack 6 (FA 1 + Health 5), as would a unit of 80 trained soldiers (FA 2 + Health 4).
Defense works just like ascending Defense Class, i.e. a unit attacks by rolling 1d20 + its Attack, and it hits if the total equals or beats the target unit’s Defense. A unit’s base Defense, though, is simply equal to 10 + its Attack value, i.e. 10 + FA + Health.
A unit’s Morale is equal to one individual soldier’s ordinary ML score, plus one-half the unit’s Health rounded down. A unit with Health 4 or 5 thus gets a +2 ML bonus, while a unit with Health 2 or 3 has a +1 ML bonus. Morale is very important, because it essentially functions like a unit-scale saving throw.
Finally, there is Movement, which is just like ordinary Movement multiplied by ten. A soldier might normally move at, 120’ (40’), so on unit combat scale, the unit can move 1200’ (400’), which is to say that it can march 12 squares and do nothing, or 4 squares and then attack.
The basic rule of unit combat is that a successful hit (Attack vs. Defense) causes the target unit check Morale. On a successful ML check, the unit loses 1 Health. On a failed ML check, the unit loses 2 Health. A unit is destroyed/disbanded when it falls to 0 Health. In order for an infantry or cavalry unit to make a mêlée attack, it must usually move to occupy the same 100’ square/hex as its target. A unit capable of missile-fire (or artillery-fire) can throw a volley out to the maximum range of the unit’s type of missile weapons (i.e. there are no range penalties, so 5 squares for short bows, 7 squares for long bows, 9 squares for muskets or machine guns, 12 squares for heavy cannon).
Spells and technology are abstracted under these rules; they become ordinary missile attacks with a range equal to the highest spell level, or one-half the highest tech degree, available to all the troops in the unit. That is to say, for example, a unit of 3rd level mages (best spell level = 2nd) can make a missile attack with a range of 2 squares.
Furthermore, for the purposes of unit combat, characters are treated as monsters when finding their unit-scale Attack value. Ordinarily, a 3rd level mage would have a Fighting Ability of 2, but on the battlefield, 3rd level mages are counted as 3 HD monsters and thus have FA 4 (an abstraction which accounts for their spell-casting abilities).
Equipment has a nominal impact on unit statistics. A unit primarily armed with primitive or poor-quality weapons suffers a -2 penalty to Attack. A unit mostly clad in metal armor enjoys a +2 bonus to Defense but suffers a -3 (-1) square penalty to its Movement.
Player Characters and Large Monsters generally do not form units. It’s certainly possible to imagine a Dark Overlord fielding a unit of ogres or trolls, but usually it would be impossible to gather sufficient numbers of them. In any case, Large Monsters and Heroes are usually more effective acting singly on the battlefield. In order to fight apart from a unit, a creature or character must have at least 4 hit dice. Large Monsters and Heroes are effectively one-man units with 1 point of Health. Attack and Defense are determined normally (i.e. find the creature or character’s Fighting Ability as if it were a monster with so many hit dice; Attack equals FA + Health, Defense equals 10 + FA + Health), Movement is ten times normal for the character, and Morale is ignored.
Special Hero or Large Monster units can attack or be attacked as normal. A monster that loses its sole point of Health is slain. A Hero under the same circumstances merely rolls on the Wound table (see above) and might be knocked out, wounded, or slain, but is in any event removed from the rest of the battle.
Any Monster with 8+ HD, or any 6th level character with a promotion title (Lord, Sorcerer, Sage, etc.) is capable of two additional actions in place of attacking, the ability to Rally Friends and Intimidate Foes. To Rally, the character targets an adjacent unit of friendly soldiers and rolls a special Charisma check (1d20 vs. Charisma if the character is trained in Diplomacy, 1d20 vs. one-half Charisma if not), and if successful, the friendly unit regains 1 point of Health as soldiers pick themselves back up and re-form ranks. To Intimidate, the character again rolls Charisma, this time targeting an adjacent unit of enemy soldiers. If successful, the enemy unit must check Morale or lose a point of Health, as troops quaver and flee before the mighty Hero or fierce Monster. (Since monsters have neither a Charisma score nor a Diplomacy skill, simply check 1d20 against their hit dice.)
Heroes and Large Monsters can also encounter each other in single combat, which would be resolved by an ordinary small-scale battle (set within a single 100’ square and taking place over the course of only one turn).
Heroes and Large Monsters might join up with or take command of a unit of ordinary soldiers, but all this does is impart a small (+2) Morale bonus which overlaps, but does not stack, with a unit’s Morale bonus from Health.
Finally, a group of adventurers, regardless of their level, can band together to form a special unit called an Adventuring Party. An Adventuring Party is a unit with 1 point of Health per two members, up to a maximum of 5 Health. Its base Attack and Defense are determined by taking the character in the party with the highest level, treating that level as monster hit dice to find unit Attack and Defense values, and then modifying for Health as normal. The slowest character in the party determines the unit’s Movement. Like a single Hero, an Adventuring Party has no Morale score and is immune to effects requiring a Morale Check.
Magic and the Paranormal
Maybe I’ve been watching too much Real Ghostbusters lately, but it occurred to me not long ago that in a six-level campaign, the assumption is that most of the world is populated by relatively ordinary people. That makes monsters exceptional and rare, and even the commonest kobold might be regarded as a supernatural horror. The idea of player characters as paranormal investigators is already enshrined in games like Call of Cthulhu, but it also fits the conceit of Victorian steampunk very well.
Then I got to thinking about the nature of magic in the original role-playing game, and about how I portray it in E&E, and I’ve noticed a few fun connections. First, look at the magic-user’s level titles. They start out as mediums, then become seers, and so on. The idea that a low-level arcane mage is a spirit medium or some kind of psychic channeler is very appealing to me. It fits the idea of the Victorian spiritualist (or stage swami), and helps to explain why arcane magic and psychic ability are one and the same thing (rather than having some separate discipline in the game-world called “psionics”, which is like magic but for some reason actually is not magic).
Then I thought, okay, if a mage is primarily concerned with calling out to the spirits of the great beyond, and acting as a medium, what if that’s the source of magic? What if all spell-craft is really spirit-channeling? That would mean that every spell memorized by a mage is actually a spirit from some anomalous other realm, pulled onto the material plane and bound within the mage’s mind. Casting the spell releases the spirit, and in its eagerness to return to its own plane, the spirit briefly opens a door between worlds and the magical effect leaks into physical reality.
That has groovy implications. It means that a simple spell, like read magic, is the mage calling upon and binding a small or weak spirit, releasing it for the price of knowledge gained. Memorizing fire ball, though, is the dangerous business of binding a fire elemental or maybe even a lesser ifrit. What if something goes wrong? What if a mage dies with memorized spells, i.e. trapped spirits, still rattling around in his brain? Do they burst out and manifest in the world? Do they possess corpses and become the undead? (1st level spells become skeletons/zombies/ghouls, 2nd level spells become wights/banshees/wraiths, 3rd level spells become mummies/spectres/vampires…)
Speaking of the undead, they’re kind of spirit-ish too. Wraiths and spectres, especially, are “ectoplasmic entities” in the classic sense. A technologist who invents a proton stream could have a field day, trapping spectres and maybe even containing them indefinitely. Assuming, of course, the rate of ionization is constant for all such vaporous apparitions. Insert raspberry emoticon (=P) here.
OOOOOOO
Can't forget the Farscape quote.
JOHN (learning to pilot the transport pod): Slicker'n snot.
AERYN: My microbes had to have translated that one wrongly.
JOHN: Southern metaphors, darlin'. You ain't heard the half of 'em.
—Episode 1.12, "The Flax"
Six-Level Steampunk, part 2
Previously, I laid down the framework for an Engines & Empires campaign that tops out at 6th level—a low-powered, low-magic world where nobody is a super-hero (or super-villain) and nobody is ever invulnerable. The basic rules for character advancement were outlined in the last post; and next come the changes which need to be made for each character class when using this campaign model.
Boxers
Lv1: Unarmed Damage 1d4, Deflect Missile 1/turn, Off-Hand Penalty -2
Lv3: Unarmed Damage 1d6
Lv4: Stunning Fist 1/turn
Lv5: Unarmed Damage 1d8, Deflect Missile 2/turn, Off-Hand Penalty -0
Lv6: The Boxer can quest to become a Champion. Once that happens, the Champion immediately acquires the “Feel Qi” ability and a qi pool with 3 + Con mod qi points. Further qi powers (Focus Qi, Control Qi, Project Qi, etc.) are not learned automatically; instead, the Champion must travel and quest to learn them from masters, senseis, and sifus around the world (rather like collecting magical items). A Champion can also found a cloister or dojo and attract students, as normal.
Lv1: Three Bonus Skills, Critical Hit Chance 1-in-8
Lv4: Critical Hit Damage x3
Lv5: Critical Hit Chance 1-in-6
Lv6: The Expert can quest to become a Professional. A Professional can cast arcane spells as a 2nd level mage (two 1st level spell slots) and acquires a set of combat tricks (1d4 unarmed damage, 1d6 improvised weapon damage, full damage with rarely thrown weapons, off-hand penalty -2). A Professional can also found a guild and attract apprentices.
Lv1: Focused Strike 1/turn
Lv4: Whirlwind Attack 1/turn
Lv5: Focused Strike 2/turn
Lv6: The Fighter can quest to become a Lord. A Lord can turn undead and cast divine spells as a 2nd level scholar (one 1st level spell slot), and he can found a stronghold and attract a retinue of soldiers.
Lv1: Spells 1
Lv2: Spells 2
Lv3: Spells 2/1
Lv4: Spells 2/2, Spontaneous Spell 1/day
Lv5: Spells 2/2/1
Lv6: Spells 2/2/2, and the Mage can quest to become a Sorcerer. A Sorcerer is capable of using Ritual Magic (see below), and he can build a tower and attract apprentices.
Scholars
Lv1: Turn Undead
Lv2: Spells 1
Lv3: Spells 2
Lv4: Spells 2/1, Spontaneous Spell 1/day
Lv5: Spells 2/2
Lv6: Spells 2/2/1, and the Scholar and quest to become a Sage. A Sage is capable of using Ritual Magic (see below), and he can build a stronghold and attract followers.
Lv1: 1st Degree, 1 Device per day
Lv2: 2nd Degree, 2 Devices per day
Lv3: 3rd Degree, 3 Devices per day
Lv4: 4th Degree, 4 Devices per day, Jury-Rig 1/day
Lv5: 5th Degree, 5 Devices per day
Lv6: 6th Degree, 6 Devices per day, and the Tech can quest to become an Inventor. An Inventor can practice Research & Development (see below), and he can build a workshop and attract apprentices.
As Fighters, plus Dwarf racial abilities (+2 to Saving Throws, 60’ Infravision, Craft skill training, MV 30’).
Lv6: A Dwarf can quest to become a Dwarf Lord, who can cast one 1st level spell as a Sch2 but cannot turn the undead. Instead, a Dwarf Lord has limited access to Ritual Magic, solely for the purpose of creating magical weapons and armor.
As Scholars, plus Elf racial abilities (+1 to missile attacks, 60’ Infravision, Perception skill training).
As Mages, plus Fay racial traits (60’ Infravision, Diplomacy skill training, Glamer 1/week).
As Techs, plus Gnome racial traits (Small Size, 60’ Infravision, Craft Skill Training, Speak with Animals)
As Experts, plus Halfling racial traits (Small Size, +1 to missile attacks, +2 to Saving Throws, Stealth skill training).
Lv6: A Halfling can quest to become a Halfling Thane. Thanes can cast two 1st level spells as a Mag2, but they lack the human Professional’s bag of combat tricks. A Thane has the “Hero’s Heart” ability (once per day, roll a Con check to completely avoid a magical attack, or reflect it on a natural 1).
Lv1: Centaur Traits (MV 50’, double damage with Lance Charge, hooves 1d4/1d4
Lv4: Hoof damage becomes 1d6
Lv5: Trample (able to make one hoof attack when also attacking with weapons)
Lv6: Can quest to become a Centaur Paladin. A Paladin can cast one 1st level spell (as a Sch2) but cannot turn the undead. Instead, a Paladin has the power of divination by Star Gazing (as the commune spell, usable 1/week, except that only one question is permitted instead of three).
As Experts, plus Faun racial traits (60’ Infravision, Athletics skill training, resistant to charms)
Lv6: Can quest to become a Faun Warden. A Warden can cast two 1st level spells (as a Mag2) but lacks the human Professional’s combat tricks. Instead, a Warden can invoke a lesser confusion spell by playing on the panpipes, 1/day (as confusion, except that the spell affects only 2d3 targets with a 20’ x 20’ area, and then only targets with 2 HD or less).
Lv1: Merrow Traits (Amphibious, 30’ Infravision, land MV 30’/swim MV 60’, Speak with Animals, Entertain skill training, Siren Song 1/day)
Lv2: Spells 1
Lv3: Spells 2
Lv4: Spells 2/1, Spontaneous Spell 1/day, Battle Hymn (+1) 1/day
Lv5: Spells 2/2, Siren Song 2/day
Lv6: Spells 2/2/1, and the Merrow can quest to become a Merrow Bard. A Bard can practice Ritual Magic (see below). The combat bonus imparted by a Bard’s Battle Hymn becomes +2, and a Bard’s Siren Song can now affect monsters instead of merely persons (just like the charm monster spell, except that it never affects more than one target at a time).
Lv1: Sylph Traits (Wings, Gliding/Leaping, 60’ Infravision, Speak with Animals, MV 50’)
Lv4: Dive Attack for double damage
Lv5: Flight (the sylph can fly, but only for 6 + Str mod hours per day, half that if encumbered)
Lv6: The Sylph can quest to become a Sylph Dragoon. A Dragoon can cast one 1st level spell (as a Sch2) but cannot turn the undead. Instead, the Dragoon can cast create air 1/day.
Sorcerers (including Fay Sorcerers), Sages (including Elf Sages), Merrow Bards, and Dwarf Lords are able to use Ritual Magic. Inventors (including Gnome Inventors) are able to practice Research and Development. These abilities allow the creation of magical items and technological inventions, within whatever parameters or power limits the referee might care to set upon them. More importantly, though, they allow characters to potentially use spells or technologies beyond the scope of their class abilities.
Magic-using and technological characters are very limited in a six-level campaign. This is part of the appeal: characters won’t have so many spells that they can easily circumvent challenges, obstacles, or formidable foes. And the very powerful effects, such as polymorphs and teleports, if they’re even allowed at all, are limited to time-consuming ritual-castings or slapdash laboratory construction, possibly dangerous in either case. But a character’s repertoire of low-level spells, while limited, might be expanded a little bit if the referee should wish to include a few new items aimed at making characters more flexible with their special abilities. Most of the time, though, these items should only be found by characters who have already reached 6th level and have therefore been halted their normal spell or tech progressions. Neither can items like these ever be created by PCs; they are quasi-artifacts.
All righty then. Closing thoughts on the "six-level campaign" model next time. But I wouldn't leave another post without a Farscape quote.
RORF: I am Rorf!
JOHN: Worf?
RORF: Rorf!!
—Episode 1.11, "Till the Blood Runs Clear"
Six-Level Steampunk, part 1
Okay, seriously, when was my last blog post? April? Holy Einstein, that’s quite a dry spell. I can’t believe I’ve slacked off on this for literally months on end. Well, c’est la vie, I guess. Or c’est la guerre, as I’ve always liked to hear it. Same difference, really.
For the last couple of months, I’ve been… well, never mind, that’s not important. What matters here is that I’ve been quite out of commission when it comes to writing anything. I haven’t posted to this blog; I haven’t done any work on my RPG; I haven’t even written any frelling fan-fiction. It’s a shame, really, but there you are. I’m a lazy, bummy, schlubby, lazy bum.
So, without further ado…
Six-Level Steampunk
This is a hack for Engines & Empires which limits character advancement to 6th level (rather than the usual 36th level). Gamers who are used to high-level play and take its inevitability for granted might find this unduly strict, but 6th level is the perfect place to limit the game if the referee should wish for a given campaign to feel reasonably realistic, in terms of character ability. Magic, monsters, and super-science notwithstanding, it’s important to remember that in terms of the original game, a 4th level fighting man was a “hero”, while an 8th level fighting man was a “super-hero”. By limiting the game to 6th level, therefore, the scope of the campaign sits just a hair above “heroic fantasy”. Players can feel like action stars, but they’ll never feel like comic book or wire-fu characters. In short, no super-heroes. You can have Indiana Jones, Aragorn, Luke Skywalker, or Jon McLane; but you will never be Kal-El, Li Mu Bai, Hercules, or Son Goku.
This kind of fantasy is gritty, but not unduly grimdark. Because, going hand-in-hand with the notion that there are no player characters above 6th level, neither are there any NPCs beyond that level. It’s a hard limit. (So kings, emperors, and high level player characters, while always vulnerable to assassination, can at least rest assured that they’re fairly well-protected by an ordinary retinue of bodyguards and a castle. There are no polymoprhing, teleporting, wish-happy arch-mages to threaten the status quo.) Likewise, monsters with more than six hit dice or so are presumed to be rare, and monsters with more than a dozen or so hit dice are all but unheard of. In short, use “Basic” and “Expert” monsters, but pretend that “Companion” and “Master” monsters just don’t exist. The biggest dragon ever is the 11-HD gold dragon, the nastiest of undead is the 9-HD spell-casting vampire, and the 15-HD purple worm is the closest thing to a nameless Lovecraftian horror that the PCs will ever encounter. Slaying Dracula in a six-level campaign can’t help but be a Big Freaking Deal™.
Game Rule Information (Table 1.1)


Okay, that sums up the basic rules for a six-level steampunk campaign. Next post, I’ll go into detail about how these rules affect the fifteen Engines & Empires character classes, and I’ll offer a few suggestions about how one would go about using the six-level campaign mode to best effect.
JOHN: Uh-oh. Eyes.
AERYN: Eyes?
JOHN: Yeah, like a cave scene in a Yosemite Sam cartoon.
—Episode 1.10, “They’ve Got a Secret”